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In contrast to some of the hoopla about the recent TV series ....
Eighty years after rampaging behind enemy lines in the deserts of North Africa, and forty-two years since exploding into the public’s consciousness by dramatically ending the Iranian Embassy siege, Britain’s elite Special Air Service (SAS) is once again the centre of the nation’s attention. This renewed notoriety owes nothing to any stunning military success or dramatic action on the part of the Regiment, as it is referred to, but rather to the new BBC television series, SAS: Rogue Heroes. Based on the best-selling book by Ben Macintyre, who was granted privileged access to the SAS’s own classified regimental archives, SAS: Rogue Heroes depicts the wartime birth and first unsteady steps of the world’s most famous Special Forces unit.
Described by the media’s usual suspects of military commentators and cheerleaders as an adrenaline-fuelled, “gung-ho”, “rock-star history” of the SAS’s infancy, Rogue Heroes is not only a piece of televisual entertainment. It serves another, more profound purpose — namely the supercharging of the Regiment’s reputation, fighting-record and mythology. It also adds a further stratum to existing layers of legend, which throughout its operational history have afforded the SAS a distinct psychological advantage over its opponents.
Book shelves buckle under the sheer volume and weight of a growing corpus of work on the Regiment. The high-levels of embellishment, hyperbole and dissembling inherent in these literary outpourings, compounded by operational security, plausible deniability and a refusal on the part of the MoD to comment on the activities and very existence of UK Special Forces units, has meant, unsurprisingly, that academics and journalists alike have found it a challenge to penetrate the shroud of secrecy enveloping the activities of the SAS. It is difficult to differentiate, therefore, between what is fact and what is myth.
The late Professor Sir Michael Howard, eminent military historian and one-time Chichele Professor of military history at Oxford, addressed the role of myth in a highly-influential essay entitled, “The Uses and Abuses of Military History”. Howard wrote that “the ‘myth’, this selective and heroic view of the past, has its uses”. “The regimental historian”, in Howard’s opinion, had “consciously or unconsciously, to sustain the view that his regiment has usually been flawlessly brave and efficient, especially during its recent past”. “Without any sense of ill-doing,” contended Howard, “he will emphasize the glorious episodes in its history and pass with a light hand over its murkier passages, knowing full well that his work is to serve a practical purpose in sustaining regimental morale in the future”.
Professor Howard believed, however, that “myth” was not an “abuse of military history” if it sustained a soldier on the battlefield “even when he knows, with half his mind, that it is untrue”. Howard, himself a wartime Captain in the Coldstream Guards and recipient of the Military Cross, felt that myth was a form of “nursery history” which could assist in immunising military personnel against the “realities of war”. The only problem with this proposition, however, is that if a military organisation such as the SAS mythologizes its fighting record until it possesses only a passing acquaintance with the truth, then the realities of future combat will rapidly disabuse its personnel of such delusions.
Like the winged Sword of Damocles that features prominently on the Unit’s badge, the “myth” of an omnipotent, omnipresent and omniscient fighting machine has been a proverbial double-edged sword. For the majority of those who have served in the Regiment over the years, it has sustained them in combat and in adversity. Yet for a select number of “badged” SAS personnel, who have been compelled to question “the myth”, ostracism and stigmatisation have answered their heresies. One of the most high-profile examples of this occurred during the Falklands war of 1982.
Who cares who wins
The mythology of the SASEighty years after rampaging behind enemy lines in the deserts of North Africa, and forty-two years since exploding into the public’s consciousness by dramatically ending the Iranian Embassy siege, Britain’s elite Special Air Service (SAS) is once again the centre of the nation’s attention. This renewed notoriety owes nothing to any stunning military success or dramatic action on the part of the Regiment, as it is referred to, but rather to the new BBC television series, SAS: Rogue Heroes. Based on the best-selling book by Ben Macintyre, who was granted privileged access to the SAS’s own classified regimental archives, SAS: Rogue Heroes depicts the wartime birth and first unsteady steps of the world’s most famous Special Forces unit.
Described by the media’s usual suspects of military commentators and cheerleaders as an adrenaline-fuelled, “gung-ho”, “rock-star history” of the SAS’s infancy, Rogue Heroes is not only a piece of televisual entertainment. It serves another, more profound purpose — namely the supercharging of the Regiment’s reputation, fighting-record and mythology. It also adds a further stratum to existing layers of legend, which throughout its operational history have afforded the SAS a distinct psychological advantage over its opponents.
Book shelves buckle under the sheer volume and weight of a growing corpus of work on the Regiment. The high-levels of embellishment, hyperbole and dissembling inherent in these literary outpourings, compounded by operational security, plausible deniability and a refusal on the part of the MoD to comment on the activities and very existence of UK Special Forces units, has meant, unsurprisingly, that academics and journalists alike have found it a challenge to penetrate the shroud of secrecy enveloping the activities of the SAS. It is difficult to differentiate, therefore, between what is fact and what is myth.
The late Professor Sir Michael Howard, eminent military historian and one-time Chichele Professor of military history at Oxford, addressed the role of myth in a highly-influential essay entitled, “The Uses and Abuses of Military History”. Howard wrote that “the ‘myth’, this selective and heroic view of the past, has its uses”. “The regimental historian”, in Howard’s opinion, had “consciously or unconsciously, to sustain the view that his regiment has usually been flawlessly brave and efficient, especially during its recent past”. “Without any sense of ill-doing,” contended Howard, “he will emphasize the glorious episodes in its history and pass with a light hand over its murkier passages, knowing full well that his work is to serve a practical purpose in sustaining regimental morale in the future”.
Professor Howard believed, however, that “myth” was not an “abuse of military history” if it sustained a soldier on the battlefield “even when he knows, with half his mind, that it is untrue”. Howard, himself a wartime Captain in the Coldstream Guards and recipient of the Military Cross, felt that myth was a form of “nursery history” which could assist in immunising military personnel against the “realities of war”. The only problem with this proposition, however, is that if a military organisation such as the SAS mythologizes its fighting record until it possesses only a passing acquaintance with the truth, then the realities of future combat will rapidly disabuse its personnel of such delusions.
Like the winged Sword of Damocles that features prominently on the Unit’s badge, the “myth” of an omnipotent, omnipresent and omniscient fighting machine has been a proverbial double-edged sword. For the majority of those who have served in the Regiment over the years, it has sustained them in combat and in adversity. Yet for a select number of “badged” SAS personnel, who have been compelled to question “the myth”, ostracism and stigmatisation have answered their heresies. One of the most high-profile examples of this occurred during the Falklands war of 1982.
Who cares who wins | Paul Winter | The Critic Magazine
Eighty years after rampaging behind enemy lines in the deserts of North Africa, and forty-two years since exploding into the public’s consciousness by dramatically ending the Iranian Embassy siege…
thecritic.co.uk